nayabaru:subcultures
Differences
This shows you the differences between two versions of the page.
Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
nayabaru:subcultures [2020-01-08 20:54] – Reeva Peninsula and Asheenagiji Desert subcultures cleaned up pinkgothic | nayabaru:subcultures [2024-06-28 20:25] (current) – pinkgothic | ||
---|---|---|---|
Line 1: | Line 1: | ||
- | <fc # | + | <color # |
Nayabaru are largely blind to the differences in their subcultures when they encounter them, as they tend to manifest on axes they are less interested in - this means there are no formal names for these subcultures, | Nayabaru are largely blind to the differences in their subcultures when they encounter them, as they tend to manifest on axes they are less interested in - this means there are no formal names for these subcultures, | ||
Line 15: | Line 15: | ||
This subculture uses the tattoo alphabet with the visual design it was originally designed with, without adding inherent bells and whistles: | This subculture uses the tattoo alphabet with the visual design it was originally designed with, without adding inherent bells and whistles: | ||
- | {{: | + | {{ : |
- | That said, the arrangement of the glyphs is still typically done with aesthetic intent. An example rendition of the title //Hesh//: | + | That said, the arrangement of the glyphs is still typically done with aesthetic intent. An example rendition of the title //[[: |
- | {{: | + | {{ : |
The // | The // | ||
Line 45: | Line 45: | ||
In Reeva itself and select stretches of the landscape all the way up to Vortok, the tattoo system tends to keep the outline of the original glyph designs, but will occasionally fill them in with baubles rather than a solid colour: | In Reeva itself and select stretches of the landscape all the way up to Vortok, the tattoo system tends to keep the outline of the original glyph designs, but will occasionally fill them in with baubles rather than a solid colour: | ||
- | {{: | + | {{ : |
==== Asheenagiji Desert subculture ==== | ==== Asheenagiji Desert subculture ==== | ||
- | |||
- | {{: | ||
The main body of the Asheenagiji continent is an arid expanse, home to vast stretches of desert. The Nayabaru scattered throughout this geographic region as well as the ' | The main body of the Asheenagiji continent is an arid expanse, home to vast stretches of desert. The Nayabaru scattered throughout this geographic region as well as the ' | ||
Line 61: | Line 59: | ||
The // | The // | ||
- | Note that not all Nayabaru outcasts that live in the area //were// necessarily accepted into any kind of community. Sometimes, all the // | + | It's worth noting |
+ | |||
+ | // | ||
+ | |||
+ | {{ : | ||
===== Cetaros ===== | ===== Cetaros ===== | ||
- | {{: | + | The two island-continents the Nayabaru call //Cetaros// share certain cultural similarities that aren't observed anywhere else, although there is also a distinction between the islands. Together they are home to the second most populous Nayabaru subculture after the // |
- | ==== Valesh Island subculture ==== | + | What the islands have in common is something humans might call 'a sense of pride' at their cultural achievements. They celebrate Nayabaru achievements, |
- | {{: | + | {{ : |
- | The area around Valesh, scattered pockets in mainland Cetaros, as well as some of the islands south of Cetaros (but not all of them) is home to a Nayabaru subculture that has elevated their xenophobia of the kavkema to an art form that has pushed it back out the other end to give them a certain respect for them. | + | An example rendition |
- | Perhaps ironically, they view the kavkema entirely as animals (though they grant them basic sapient ' | + | {{ : |
- | ===== Tabraan ===== | + | Both Cetaros islands lean heavily toward the opinion that kavkema are //animals// (though they both grant them basic sapient ' |
- | ==== Cetaros-Tabraan subculture ==== | + | Despite this practise, it's worth noting that they are not inherently crueller to captive kavkema than any other culture. |
- | {{: | + | ==== Valesh Island subculture ==== |
- | The Cetaros-Tabraan subculture is another ' | + | The area around Valesh, scattered pockets in mainland |
- | Much like the Valesh Island subculture, they view the kavkema | + | Despite |
- | ===== Vatenas ===== | + | Occasionally their hunting practises involve catching kavkema //and releasing them again later//, simply to hunt them again. |
- | {{: | + | ==== Cetaros Main subculture ==== |
+ | |||
+ | The rest of Cetaros leans more toward a mixture of the Valesh subculture and the Asheenagiji subculture. They do not //fully// share the Valesh subculture' | ||
+ | |||
+ | Rather than keep areas free of tampering as that they might always have kavkema to hunt, Cetaros Main follows a strict policy of trying to capture any wild kavkema, much like one would expect in Asheenagiji. However, they will occasionally release tagged kavkema (often ones bred in captivity, but occasionally previous captures deemed harmless enough) into the wild to facilitate a ceremonial hunt. | ||
+ | |||
+ | ===== Vatenas ===== | ||
==== Vatenas-Petraal subculture ==== | ==== Vatenas-Petraal subculture ==== | ||
- | {{:nayabaru:society:tattoo-region-vatenas-hesh-example.png? | + | Nayabaru populations on Vatenas itself, as well as the city //Petraal// on the coast of Sefusa, form the // |
- | The Vatenas-Petraal | + | They' |
- | They' | + | The Vatenas-Petraal |
- | They' | + | On the other hand, occasionally, |
+ | |||
+ | Vatenas tattoos tend to be minimalist, with thin strokes and accented joints that only hint at the original glyph joint design. Nonetheless, | ||
+ | |||
+ | {{ : | ||
+ | |||
+ | The // | ||
+ | |||
+ | {{ : | ||
+ | |||
+ | This sequence of curves would be repeated several times on the back of the //Hesh// in question - once in very large lettering, then in smaller patterns visually grouping with the large tattoo (a bit like a [[https:// | ||
+ | |||
+ | ===== Tabraan ===== | ||
+ | |||
+ | Tabraan is a very large, mountainous island. At one point in its past, this detail of its landscape allowed kavkema to thrive. | ||
+ | |||
+ | The //Tabraan// subculture Nayabaru are the only Nayabaru on Nekenalos known to be somewhat superstitious, | ||
+ | |||
+ | As such, defensive measures tend to be fairly minimalist, and offensive measures very sweeping when applied. | ||
+ | |||
+ | Exceptions are generally made when kavkema are needed to study them, to find more effective means to combat them; the //Tabraan// subculture would not usually breed kavkema in captivity, unless they had reason to believe that it would be difficult to find another example of a genetic subtype in the wild (such as populations from the islands between Tabraan and Vatenas). | ||
+ | |||
+ | Unfortunately, | ||
+ | |||
+ | Tabraan tattoo glyphs are often only an outline, as though they were hollow: | ||
+ | |||
+ | {{ : | ||
===== Sefusa ===== | ===== Sefusa ===== | ||
- | {{:nayabaru:society:tattoo-region-sefusa.png? | + | Sefusa is a large stretch of land whose mountain ranges have been claimed by the Nayabaru more than on any other continent. The kavkema that live here tend not to be mountainous, |
+ | |||
+ | Accordingly, | ||
+ | |||
+ | Even in areas on Sefusa that are still convinced kavkema exist, such as the areas immediately around [[:planet:Nekenalos:Sefusa: | ||
- | ==== Sefusa subculture | + | The tattoos of the //Sefusa// subculture |
- | //(I would expect this to be a mix of Vatenas-Petraal and Tain-Katal, but I don't seem to have a feel for this.)// | + | {{ : |
nayabaru/subcultures.1578516847.txt.gz · Last modified: 2020-01-08 20:54 by pinkgothic