nayabaru:society:tattoo
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nayabaru:society:tattoo [2020-01-08 03:15] – pinkgothic | nayabaru:society:tattoo [2020-01-08 04:34] – pinkgothic | ||
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===== Alphabet ===== | ===== Alphabet ===== | ||
- | The Nayabaru make a difference between //vowels// and // | + | The Nayabaru make a difference between |
==== Consonants ==== | ==== Consonants ==== | ||
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{{ : | {{ : | ||
+ | |||
+ | //(Our example symbol does not fit onto this grid and indeed forms no consonant, although the glyph for K or TK come close, and the example symbol might be interpreted as a sloppy rendition of these consonants by Nayabaru who see it.)// | ||
The **length of individual segments** as well as the **rotation of the entire glyph** are irrelevant. Take for example the letter T. All three of the following arrangements are the letter T: | The **length of individual segments** as well as the **rotation of the entire glyph** are irrelevant. Take for example the letter T. All three of the following arrangements are the letter T: | ||
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| {{: | | {{: | ||
+ | |||
+ | ==== Vowels ==== | ||
+ | |||
+ | Vowels are (potential) combining glyphs, often drawn across the segments of consonents to bind them together. The following vowels have established glyphs: | ||
+ | |||
+ | ^ A | {{: | ||
+ | |||
+ | Arbitrary vowels can be combined into digraphs (e.g. here into the fantasy digraph //yu//): | ||
+ | |||
+ | {{ : | ||
+ | |||
+ | It's worth emphasising that vowels do **not** need to be drawn with a bridging element, although this is often done. See the examples section for visual examples of the difference. | ||
+ | |||
+ | ==== Consonant Glyphs ==== | ||
There are 15 different angular arrangements in use, combining with the two strokes into 30 consonants. Here they are, arranged for ease of human consumption: | There are 15 different angular arrangements in use, combining with the two strokes into 30 consonants. Here they are, arranged for ease of human consumption: | ||
- | | {{: | + | | {{: |
^ B (// | ^ B (// | ||
- | | {{: | + | | {{: |
^ G (// | ^ G (// | ||
- | | {{: | + | | {{: |
^ K (// | ^ K (// | ||
- | | {{: | + | | {{: |
^ MT (// | ^ MT (// | ||
- | | {{: | + | | {{: |
^ SH (// | ^ SH (// | ||
- | | {{: | + | | {{: |
^ TL (// | ^ TL (// | ||
This is how the Nayabaru would arrange them when teaching the meanings to young Nayabaru: | This is how the Nayabaru would arrange them when teaching the meanings to young Nayabaru: | ||
- | | {{: | + | | {{: |
^ M (// | ^ M (// | ||
- | | {{: | + | | {{: |
^ P (// | ^ P (// | ||
- | | {{: | + | | {{: |
^ D (// | ^ D (// | ||
- | | {{: | + | | {{: |
^ GM (// | ^ GM (// | ||
- | | {{: | + | | {{: |
^ TP (// | ^ TP (// | ||
- | | {{: | + | | {{: |
^ TG (// | ^ TG (// | ||
- | ==== Vowels | + | ===== Examples |
+ | |||
+ | Given the rotational freedom of consonant glyphs, the arbitrary length of segments //in// consonant glyphs, and the choice whether or not to use a bridging element in vowels and whether or not to use them as consonant brackets, Nayabaru have vast freedoms in expressing titles in aesthetically pleasing ways. As an example, the title // | ||
+ | |||
+ | {{ : | ||
+ | |||
+ | Or like this // | ||
+ | |||
+ | {{ : | ||
+ | Or like this //(E with a bridging element, bracketing an each well-proportioned H and SH)//: | ||
+ | {{ : |
nayabaru/society/tattoo.txt · Last modified: 2022-01-16 14:26 by pinkgothic